1 00:00:27,190 --> 00:00:30,150 11:30 SHARP, JOHN, I GOT TO GO SEE DAN BREEN. 2 00:00:30,170 --> 00:00:31,820 I CANCELED ON HIM TWICE. 3 00:00:31,860 --> 00:00:32,500 NO PROBLEM. 4 00:00:32,530 --> 00:00:34,070 HE GETS ALL UPSET. 5 00:00:34,100 --> 00:00:35,840 OH, MAN. 6 00:00:40,670 --> 00:00:43,070 NO BRUISES, NO STRANGULATION MARKS, ONE GUNSHOT WOUND. 7 00:00:43,100 --> 00:00:44,740 18‐MONTH‐OLD FEMALE. 8 00:00:44,770 --> 00:00:48,140 SHE WAS IN THE BABY SEAT WHEN SHE WAS SHOT. 9 00:00:48,180 --> 00:00:49,150 THE DRIVER? 10 00:00:49,180 --> 00:00:50,020 YEAH. 11 00:00:55,250 --> 00:00:56,650 I'M DETECTIVE KELLY. 12 00:00:56,680 --> 00:00:58,520 YOU THE DRIVER OF THE CAR? 13 00:00:58,550 --> 00:01:00,550 YEAH. YEAH. GOD ALMIGHTY. 14 00:01:00,590 --> 00:01:02,160 WHAT'S YOUR NAME? 15 00:01:02,190 --> 00:01:04,350 DUANE ROLLINS. MY GIRLFRIEND'S KID GOT SHOT. 16 00:01:04,390 --> 00:01:06,360 SEE WHO FIRED THE GUN? 17 00:01:06,390 --> 00:01:07,920 I DIDN'T SEE ANYTHING. 18 00:01:07,960 --> 00:01:10,160 THEY WERE BESIDE ME SHOOTING, OUT OF NOWHERE. 19 00:01:10,200 --> 00:01:11,200 HOW MANY? 20 00:01:11,230 --> 00:01:13,200 I DON'T KNOW. 21 00:01:13,230 --> 00:01:15,260 TWO? DRIVER AND A SHOOTER, OR‐‐ 22 00:01:15,300 --> 00:01:17,500 I GUESS. THEY JUST SHOT AND TOOK OFF. 23 00:01:17,540 --> 00:01:20,580 DID YOU GET A LOOK AT THE CAR? 24 00:01:20,610 --> 00:01:23,020 MAYBE IT WAS BROWN. I DON'T KNOW. 25 00:01:23,040 --> 00:01:25,040 IS THERE ANYBODY WHO MIGHT BE AFTER YOU? 26 00:01:25,080 --> 00:01:27,550 NO. IT WAS ONE OF THOSE DRIVE‐BY THINGS. 27 00:01:27,580 --> 00:01:28,580 [PAGER BEEPS] 28 00:01:28,610 --> 00:01:30,080 WHERE'S THE MOTHER? 29 00:01:30,120 --> 00:01:33,060 I DON'T KNOW. SHE DIDN'T COME HOME LAST NIGHT. 30 00:01:33,080 --> 00:01:34,620 SIMMONS, LET ME USE YOUR PHONE. 31 00:01:34,650 --> 00:01:36,850 CAN YOU SPELL THE MOTHER'S NAME? 32 00:01:36,890 --> 00:01:38,760 R‐O‐W‐E. SANDY ROWE. 33 00:01:38,790 --> 00:01:40,560 HOW YOU DOING? 34 00:01:40,590 --> 00:01:42,690 WHAT WAS THE BABY'S NAME? 35 00:01:42,730 --> 00:01:44,400 TIFFANY. 36 00:01:44,430 --> 00:01:47,630 YEAH. WHO'S THIS? 37 00:01:47,660 --> 00:01:49,600 LOIS, WHAT ARE YOU, NUTS? 38 00:01:51,100 --> 00:01:54,170 OH, NICE. REAL NICE. YOU BETTER CALL 911. 39 00:01:58,140 --> 00:02:01,440 YEAH. O. K. I'LL COME RIGHT OVER. YEAH. 40 00:02:01,480 --> 00:02:03,390 YOU GUYS LIVE TOGETHER? 41 00:02:03,410 --> 00:02:05,380 JOHN, I GOT TO GO. PERSONAL SITUATION. 42 00:02:05,410 --> 00:02:06,750 YOU ALL RIGHT? 43 00:02:06,780 --> 00:02:08,480 YEAH. I'LL TELL YOU ABOUT IT LATER. 44 00:02:08,520 --> 00:02:10,490 JOHN, CAN I TALK TO YOU? 45 00:02:10,520 --> 00:02:12,250 SURE. HANG LOOSE, DUANE. 46 00:02:12,290 --> 00:02:15,300 THERE'S A WITNESS HERE THAT SAW THE CAR CHASE. 47 00:02:15,320 --> 00:02:18,290 SAW THAT GUY DRIVING AWAY FROM ANOTHER CAR. 48 00:02:18,330 --> 00:02:19,670 LET HIM THROUGH. 49 00:02:19,690 --> 00:02:21,660 MR. SPINKS, THIS IS DETECTIVE KELLY. 50 00:02:21,700 --> 00:02:23,510 YOU SAW WHAT HAPPENED? 51 00:02:23,530 --> 00:02:25,260 I HEARD 'EM WAY BACK THERE. 52 00:02:25,300 --> 00:02:26,770 TIRES SCREECHING. 53 00:02:26,800 --> 00:02:29,230 THEN THEY COME UP WHERE I WAS WALKING. 54 00:02:29,270 --> 00:02:30,940 THEY CHASED HIM UP HERE. 55 00:02:30,970 --> 00:02:32,740 THAT'S WHERE THEY STARTED SHOOTING. 56 00:02:32,770 --> 00:02:33,740 SEE ANY FACES? 57 00:02:33,770 --> 00:02:34,770 NO. 58 00:02:34,810 --> 00:02:37,340 ALL I SAW WAS A GRAY CAR RACING PAST. 59 00:02:37,380 --> 00:02:41,240 TWO GUYS. I COULDN'T EVEN TELL IF THEY WERE WHITE OR BLACK. 60 00:02:41,280 --> 00:02:43,610 O.K. THANKS FOR YOUR HELP. 61 00:02:43,650 --> 00:02:45,180 THANK YOU, JAMES. 62 00:02:45,220 --> 00:02:48,190 DUANE, I WANT YOU TO COME TO THE STATION HOUSE. 63 00:02:48,220 --> 00:02:50,190 WE NEED TO TALK MORE. 64 00:02:50,220 --> 00:02:52,120 I DON'T KNOW ANYTHING ELSE. 65 00:02:52,160 --> 00:02:53,820 I UNDERSTAND. COME WITH ME. 66 00:02:53,860 --> 00:02:54,790 WHAT FOR? 67 00:02:54,830 --> 00:02:57,100 DUANE, GET IN THAT CAR OVER THERE. 68 00:02:57,130 --> 00:02:57,790 LET'S GO. 69 00:03:09,810 --> 00:03:11,370 WHERE IS HE? 70 00:03:11,410 --> 00:03:13,780 OH, THANK YOU, ANDY. I'M LOSING MY MIND. 71 00:03:13,810 --> 00:03:15,680 I CAN'T BELIEVE IT‐‐ HOWIE HORNBECK. 72 00:03:15,710 --> 00:03:18,150 HE CAME HERE AFTER HIS NIGHT SHIFT. 73 00:03:18,180 --> 00:03:19,710 HE ALWAYS GETS WORKED UP. 74 00:03:19,750 --> 00:03:23,380 ALL OF A SUDDEN, HE JUST KICKED OFF. 75 00:03:23,420 --> 00:03:26,350 IT WAS HORRIBLE. I WAS SO FREAKED OUT. 76 00:03:26,390 --> 00:03:27,690 AH, POOR HOWIE. 77 00:03:27,730 --> 00:03:30,330 HE WAS GETTING TOO OLD FOR THIS. 78 00:03:30,360 --> 00:03:31,690 HE'S MARRIED, OF COURSE. 79 00:03:31,730 --> 00:03:33,890 I GOT TO GET HIM TO HIS CAR. 80 00:03:33,930 --> 00:03:36,460 IT'S AT THE LOT AT THE STATION HOUSE. 81 00:03:36,500 --> 00:03:38,800 HE DIDN'T LIKE PARKING HERE. 82 00:03:38,840 --> 00:03:41,750 I GOT AN APPOINTMENT. YOU SIT TIGHT. 83 00:03:41,770 --> 00:03:43,740 YOU GOT TO TAKE HIM OUT NOW. 84 00:03:43,770 --> 00:03:45,340 I GOT PEOPLE COMING. 85 00:03:45,370 --> 00:03:47,910 YOU ARE A REAL PIECE OF WORK, LOIS. 86 00:03:47,940 --> 00:03:51,640 HOWIE'S NOT EVEN COLD, AND YOU'RE WORRIED ABOUT YOUR NEXT JOHN. 87 00:03:51,680 --> 00:03:55,680 ANDY, EITHER TAKE HOWIE NOW, OR I'M GOING TO CALL 911. 88 00:03:55,720 --> 00:03:56,660 AH... 89 00:03:56,690 --> 00:03:58,860 HELP ME GET HIM DRESSED. 90 00:04:05,460 --> 00:04:07,630 COME ON, HOWIE. 91 00:05:45,190 --> 00:05:47,030 VINCE GOTELLI, NIGHT WATCH. 92 00:05:47,060 --> 00:05:48,000 ADRIANNE LESNIAK. 93 00:05:48,020 --> 00:05:49,920 YOU GUYS GOT A HOMICIDE? 94 00:05:49,960 --> 00:05:52,930 YEAH. I'M A LITTLE LATE GETTING IN. 95 00:05:52,960 --> 00:05:55,530 I HAD A SITUATION AT HOME. 96 00:05:55,560 --> 00:05:59,000 I GOT TO TESTIFY IN COURT. 97 00:05:59,030 --> 00:06:00,430 THAT'S QUITE A CUP. 98 00:06:00,470 --> 00:06:01,940 YEAH. ISN'T IT? 99 00:06:01,970 --> 00:06:03,370 FAMILY HEIRLOOM? 100 00:06:03,400 --> 00:06:05,340 IT'S JUST FOR LAUGHS. 101 00:06:05,370 --> 00:06:06,640 I DON'T GET THE HUMOR. 102 00:06:06,670 --> 00:06:08,710 WHAT DO YOU MEAN? IT'S MY PERSONAL CUP. 103 00:06:08,740 --> 00:06:09,670 THAT'S GREAT. 104 00:06:09,710 --> 00:06:12,840 I JUST PREFER NOT TO SEE IT. 105 00:06:12,880 --> 00:06:15,980 HOW ABOUT IF I PUT A BRASSIERE ON IT? 106 00:06:16,020 --> 00:06:19,330 I HOPE YOU STAY ON THE NIGHT WATCH, GOTELLI. 107 00:06:21,150 --> 00:06:22,820 JAMES, RUN THIS GUY THROUGH B.C.I. 108 00:06:22,850 --> 00:06:24,790 HOW ABOUT THE GIRLFRIEND? 109 00:06:24,820 --> 00:06:25,750 GIRLFRIEND, TOO. 110 00:06:33,330 --> 00:06:35,630 GREG, WOULD YOU SITUATE DUANE FOR ME, PLEASE? 111 00:06:35,670 --> 00:06:37,580 YEAH. WHAT'S I.A.B. DOING HERE? 112 00:06:37,600 --> 00:06:39,130 I DON'T KNOW. 113 00:06:39,170 --> 00:06:40,500 LET'S GO DOWN HERE. 114 00:06:42,770 --> 00:06:44,840 WHAT ARE YOU DOING HERE, KIMMY? 115 00:06:44,880 --> 00:06:48,090 YOU TELL ME. THOSE GUYS BROUGHT ME IN HERE. 116 00:06:48,110 --> 00:06:49,840 HOW ABOUT YOU, TAHIR? 117 00:06:49,880 --> 00:06:52,750 THEY JUST SAY THEY WANT TO TALK TO ME. 118 00:06:52,780 --> 00:06:54,880 USE INTERVIEWS 1 AND 2. 119 00:06:54,920 --> 00:06:57,650 UH, LIEUTENANT? I WAS GOING TO USE 1. 120 00:06:57,690 --> 00:07:00,030 THEN USE THE 124 ROOM DOWNSTAIRS. 121 00:07:04,290 --> 00:07:05,930 LET'S GO, TAHIR. 122 00:07:05,960 --> 00:07:07,390 KIMMY. 123 00:07:12,700 --> 00:07:13,800 COME ON. 124 00:07:15,140 --> 00:07:16,550 OVER HERE. 125 00:07:16,570 --> 00:07:18,700 WHAT'S THIS ABOUT? 126 00:07:18,740 --> 00:07:20,740 THEY'RE REINTERVIEWING CASES YOU WORKED ON. 127 00:07:21,910 --> 00:07:24,110 CAN'T THEY DO THAT DOWNTOWN? 128 00:07:24,150 --> 00:07:26,690 THEY SAID THE INTERVIEWEES LIVE IN THE PRECINCT. 129 00:07:26,710 --> 00:07:29,950 WHERE ARE YOU ON THAT CHILD HOMICIDE? 130 00:07:29,980 --> 00:07:32,680 THE MOTHER'S BOYFRIEND HAD THE LITTLE GIRL IN THE CAR. 131 00:07:32,720 --> 00:07:34,690 HE SAID IT WAS A DRIVE‐BY. 132 00:07:34,720 --> 00:07:36,690 I HAVEN'T LOCATED HER, YET, 133 00:07:36,720 --> 00:07:38,620 BUT I THINK HE'S ALL WRONG. 134 00:07:38,660 --> 00:07:40,460 I DON'T KNOW HOW YET. 135 00:07:40,490 --> 00:07:42,090 GO GET HIM. 136 00:07:42,130 --> 00:07:45,760 THEY'RE DOING THIS HERE... 137 00:07:45,800 --> 00:07:47,100 TO EMBARRASS ME. 138 00:08:02,850 --> 00:08:05,590 HOW LONG HAVE YOU LIVE AT THE HOTEL, DUANE? 139 00:08:05,620 --> 00:08:07,230 A COUPLE OF WEEKS. 140 00:08:07,250 --> 00:08:09,220 WHERE DID YOU LIVE BEFORE THAT? 141 00:08:09,250 --> 00:08:10,720 ANOTHER HOTEL. 142 00:08:10,760 --> 00:08:14,230 WE ARE GOING TO NEED MORE HELP LOCATING SANDY. 143 00:08:14,260 --> 00:08:16,560 I SAID SHE WAS OUT SEEING A FRIEND. 144 00:08:16,590 --> 00:08:18,590 SHE LEFT THE CHILD WITH YOU. 145 00:08:18,630 --> 00:08:20,560 WHAT WAS THE FRIEND'S NAME? 146 00:08:20,600 --> 00:08:22,660 SHE NEVER SAID. 147 00:08:22,700 --> 00:08:25,230 NEVER MENTIONED THE FRIEND'S NAME. 148 00:08:25,270 --> 00:08:27,070 I DON'T REMEMBER. 149 00:08:27,100 --> 00:08:30,640 HER BEING OUT ALL NIGHT, WEREN'T YOU WORRIED ABOUT SANDY? 150 00:08:30,670 --> 00:08:32,270 YEAH, I WAS WORRIED. 151 00:08:32,310 --> 00:08:35,840 I WAS LOOKING FOR HER WHEN TIFFANY GOT SHOT. 152 00:08:35,880 --> 00:08:38,240 SANDY WORK SOMEPLACE? 153 00:08:38,280 --> 00:08:40,310 SHE'S LOOKING FOR WORK. 154 00:08:41,780 --> 00:08:43,850 JOHN, YOU GOT A SECOND? 155 00:08:48,720 --> 00:08:49,690 WHAT'S UP? 156 00:08:49,730 --> 00:08:51,370 DUANE'S RAP SHEET. 157 00:08:51,390 --> 00:08:54,090 SANDY ROWE GOT POPPED FOR PROSTITUTION LAST NIGHT. 158 00:08:54,130 --> 00:08:56,700 SHE'S BEING ARRAIGNED THIS MORNING ON CENTRE STREET. 159 00:08:56,730 --> 00:08:59,100 O.K. LET ME TAKE CARE OF HIM. 160 00:08:59,130 --> 00:09:00,700 WE'LL GO GET HER. 161 00:09:00,740 --> 00:09:02,810 [MEDAVOY] ARE YOU WORKING, DUANE? 162 00:09:02,840 --> 00:09:04,810 WE'VE BOTH BEEN LOOKING FOR WORK. 163 00:09:04,840 --> 00:09:07,170 WE HAVEN'T BEEN IN TOWN VERY LONG. 164 00:09:07,210 --> 00:09:08,950 AND YOU CAME FROM WHERE? 165 00:09:08,980 --> 00:09:10,180 BALTIMORE. 166 00:09:12,010 --> 00:09:14,480 BUT YOU‐‐ 167 00:09:14,510 --> 00:09:16,780 YOU USED TO LIVE HERE. 168 00:09:16,820 --> 00:09:18,460 SO WHAT? 169 00:09:18,490 --> 00:09:22,660 WELL... BURGLARY, ASSAULT, POSSESSION OF COCAINE. 170 00:09:22,690 --> 00:09:24,660 YOU GUYS ARE REALLY SOMETHING. 171 00:09:24,690 --> 00:09:26,390 I GET USED FOR TARGET PRACTICE, 172 00:09:26,430 --> 00:09:28,700 AND NOW I'M THE CRIMINAL. 173 00:09:28,730 --> 00:09:31,360 I DON'T THINK THIS WAS A RANDOM SHOOTING. 174 00:09:31,400 --> 00:09:33,540 WHAT DO YOU CALL IT? 175 00:09:33,570 --> 00:09:35,240 I THINK YOU KNOW THESE PEOPLE. 176 00:09:35,270 --> 00:09:37,200 THEY CHASED YOU IN TRAFFIC, 177 00:09:37,240 --> 00:09:39,580 IN AND OUT, FOR TWO BLOCKS. 178 00:09:39,610 --> 00:09:42,720 IS THIS FUN FOR YOU GUYS? 179 00:09:42,740 --> 00:09:45,840 I'M BROKEN UP, AND YOU JUST WANT TO HARASS MY ASS. 180 00:09:45,880 --> 00:09:48,410 I DON'T CARE WHAT ELSE YOU'RE INTO, 181 00:09:48,450 --> 00:09:50,320 BUT YOU KNOW THESE PEOPLE. 182 00:09:50,350 --> 00:09:53,520 THEY CHASED YOU AND SHOT AN 18‐MONTH‐OLD GIRL. 183 00:09:53,550 --> 00:09:55,150 GIVE THEM UP. 184 00:09:55,190 --> 00:09:57,160 I DON'T KNOW WHO THEY WERE 185 00:09:57,190 --> 00:09:59,350 OR WHY THEY PICKED US. 186 00:09:59,390 --> 00:10:03,860 WE JUST PICKED UP SANDY FOR PROSTITUTION. 187 00:10:03,890 --> 00:10:06,560 WE'RE GOING DOWN TO CENTRE STREET TO PICK HER UP NOW. 188 00:10:06,600 --> 00:10:09,570 SO WHILE I'M THERE, I WANT YOU TO SIT HERE 189 00:10:09,600 --> 00:10:13,070 AND THINK ABOUT YOUR LITTLE SCENARIO 190 00:10:13,100 --> 00:10:15,070 'CAUSE I WANT TO COME BACK AND GET IT RIGHT. 191 00:10:15,110 --> 00:10:17,610 GOT IT? 192 00:10:17,640 --> 00:10:19,910 18 MONTHS OLD, DUANE. 193 00:10:23,480 --> 00:10:25,380 18 MONTHS OLD. 194 00:10:36,930 --> 00:10:39,270 HOWIE, NOW I GOT TO MAKE YOU PRESENTABLE, 195 00:10:39,290 --> 00:10:41,260 YOU DUMB SON OF A BITCH. 196 00:10:41,300 --> 00:10:43,670 GET YOUR TONGUE INSIDE THERE. 197 00:11:03,150 --> 00:11:04,310 HEY. 198 00:11:04,350 --> 00:11:05,950 THE INVISIBLE MAN. 199 00:11:05,990 --> 00:11:08,660 DAN, I'M SORRY ABOUT ALL THE POSTPONEMENTS. 200 00:11:08,690 --> 00:11:10,720 DON'T BE SORRY. REMEDY YOUR FAULTS. 201 00:11:10,760 --> 00:11:13,300 AND I GOT TO DO IT AGAIN. 202 00:11:13,330 --> 00:11:15,330 WHAT'S GOING ON WITH YOU? 203 00:11:15,360 --> 00:11:17,790 IN GENERAL OR RIGHT NOW? 204 00:11:17,830 --> 00:11:19,800 3 TELEPHONE CONVERSATIONS IN 24 DAYS. 205 00:11:19,830 --> 00:11:22,160 THAT'S WHAT I WANTED TO EXPLAIN TO YOU. 206 00:11:22,200 --> 00:11:24,800 YOU SAY YOU'VE BEEN GOING TO MEETINGS. 207 00:11:24,840 --> 00:11:27,650 I'VE BEEN GOING TO THE 10:15s AT GRAMERCY PARK. 208 00:11:27,670 --> 00:11:30,110 O.K. I'LL TAKE YOUR WORD FOR THAT, 209 00:11:30,140 --> 00:11:31,840 BUT IT'S EVIDENT SOMETHING'S GOING ON. 210 00:11:40,650 --> 00:11:42,920 ALL RIGHT, LOOK, DAN... 211 00:11:42,950 --> 00:11:46,490 THERE MAY BE AN ADVANCEMENT... 212 00:11:46,520 --> 00:11:50,090 IN MY RELATIONSHIP WITH SYLVIA. 213 00:11:50,130 --> 00:11:53,600 NOW, I WANTED TO DISCUSS THIS WITH YOU IN DETAIL‐‐ 214 00:11:53,630 --> 00:11:55,800 WHAT KIND OF ADVANCEMENT? 215 00:11:55,830 --> 00:12:00,100 UH... WE'RE TALKING ABOUT LIVING TOGETHER. 216 00:12:00,140 --> 00:12:03,380 YOU WERE O. K.'d TO HAVE DINNER WITH HER. 217 00:12:03,410 --> 00:12:04,810 I WANTED TO TALK ABOUT‐‐ 218 00:12:04,840 --> 00:12:07,210 NEXT TIME I SEE YOU, YOU'RE COHABITING! 219 00:12:07,240 --> 00:12:08,840 I HAVE A PRESSING OBLIGATION‐‐ 220 00:12:08,880 --> 00:12:11,320 YOU ARE A CLASSIC DRUNK! 221 00:12:11,350 --> 00:12:13,060 YOU CAN'T STAY INSIDE BOUNDARIES. 222 00:12:13,080 --> 00:12:15,050 YOU WALK IN FOR DINNER. 223 00:12:15,080 --> 00:12:17,380 YOU WALK OUT, YOU'RE SHACKED UP! 224 00:12:17,420 --> 00:12:20,750 I'M SURPRISED YOU DIDN'T ASK HER TO MARRY YOU! 225 00:12:24,490 --> 00:12:27,260 I GOT TO GO. I'LL TALK TO YOU LATER. 226 00:12:30,560 --> 00:12:32,860 HEY! GET AWAY FROM THE CAR! 227 00:12:32,900 --> 00:12:35,500 HEY, MAN, CAN YOU SPARE SOME CHANGE? 228 00:12:35,540 --> 00:12:37,850 I'M NOT A DRUG ADDICT OR ALCOHOLIC. 229 00:12:37,870 --> 00:12:40,740 I GOT A JOB INTERVIEW, BUT NO SUBWAY FARE. 230 00:12:40,770 --> 00:12:42,870 HERE. TAKE OFF. 231 00:12:42,910 --> 00:12:44,410 WHAT'S WRONG WITH HIM? 232 00:12:44,440 --> 00:12:46,480 NOTHING. HE'S DRUNK LIKE YOU. 233 00:12:46,510 --> 00:12:48,350 THAT MAN LOOKS DEAD! 234 00:12:48,380 --> 00:12:49,980 WILL YOU GET LOST? 235 00:12:50,020 --> 00:12:52,020 WHAT DID YOU DO TO HIM? 236 00:12:52,050 --> 00:12:53,980 HEY, Y'ALL! THERE'S A DEAD MAN OVER HERE! 237 00:12:54,020 --> 00:12:56,190 YOU KNOW WHAT THIS MEANS? 238 00:12:56,220 --> 00:12:58,650 IT MEANS SHUT UP AND START WALKING. 239 00:12:58,690 --> 00:13:00,690 ALL RIGHT. I HEAR YOU. 240 00:13:14,540 --> 00:13:16,170 WHERE IS DUANE? 241 00:13:16,210 --> 00:13:18,520 WE NEED TO TALK A LITTLE MORE 242 00:13:18,540 --> 00:13:19,810 THEN MAYBE SEE DUANE. 243 00:13:21,710 --> 00:13:24,080 JAMES, TAKE HER UP TO INTERVIEW, WILL YOU? 244 00:13:24,110 --> 00:13:25,250 SURE. 245 00:13:27,150 --> 00:13:28,420 KIMMY, COME HERE. 246 00:13:32,390 --> 00:13:34,350 WHO DID YOU PISS OFF? 247 00:13:34,390 --> 00:13:35,960 WHAT DID I. A. B. WANT? 248 00:13:35,990 --> 00:13:39,730 TO TALK ABOUT THAT MONEY YOU GOT ME AFTER NICKY WAS SHOT. 249 00:13:39,760 --> 00:13:43,060 I GOT IT SO YOU COULD GET OUT OF TOWN. 250 00:13:43,100 --> 00:13:46,700 THEY WANTED TO KNOW IF YOU GOT ME THE MONEY FOR SEX. 251 00:13:46,740 --> 00:13:49,250 YOU TOLD THEM THE TRUTH, THOUGH. 252 00:13:49,270 --> 00:13:50,970 I'M NOT FEELING SO GOOD. 253 00:13:51,010 --> 00:13:53,120 KIMMY... YOU TOLD THEM THE TRUTH, THOUGH, RIGHT? 254 00:13:53,140 --> 00:13:54,310 YEAH. 255 00:13:54,340 --> 00:13:56,940 YEAH, I SAID IT WASN'T LIKE THAT. 256 00:13:56,980 --> 00:14:00,210 I KIND OF GOT THE FEELING THAT WAS THE "B" ANSWER. 257 00:14:00,250 --> 00:14:02,780 HOW WAS FLORIDA? 258 00:14:02,820 --> 00:14:06,390 UH, I WAS GOING TO GO, YOU KNOW, BUT I... 259 00:14:06,420 --> 00:14:09,090 I KIND OF GOT INTO SOME BEHAVIOR. 260 00:14:09,120 --> 00:14:11,390 O.K. 261 00:14:11,430 --> 00:14:13,100 TAKE CARE OF YOURSELF, O. K.? 262 00:14:15,030 --> 00:14:16,660 YOU, TOO. 263 00:14:25,040 --> 00:14:26,970 HOW OLD ARE YOU, SANDY? 264 00:14:27,010 --> 00:14:27,980 19. 265 00:14:28,010 --> 00:14:30,620 DO YOU KNOW IF TIFFANY SAID ANYTHING? 266 00:14:30,640 --> 00:14:33,240 IF SHE WAS ALIVE AT ALL AFTERWARD? 267 00:14:33,280 --> 00:14:35,550 I THINK SHE DIED RIGHT AWAY. 268 00:14:40,850 --> 00:14:43,450 I KNOW THIS IS PAINFUL FOR YOU, SANDY, 269 00:14:43,490 --> 00:14:45,790 BUT I'VE GOT TO ASK YOU SOME QUESTIONS, 270 00:14:45,820 --> 00:14:48,190 AND IT'S IMPORTANT THAT YOU'RE HONEST WITH ME. 271 00:14:48,230 --> 00:14:49,100 I UNDERSTAND. 272 00:14:49,130 --> 00:14:51,100 NOW, WAS ANYBODY AFTER DUANE 273 00:14:51,130 --> 00:14:52,460 THAT YOU KNOW ABOUT? 274 00:14:52,500 --> 00:14:54,440 NO. 275 00:14:54,470 --> 00:14:57,140 NOBODY HE HAD RUN‐INS WITH THAT YOU KNOW ABOUT? 276 00:14:57,170 --> 00:14:58,370 NO. 277 00:14:58,400 --> 00:15:00,600 HOW LONG HAVE YOU BEEN TOGETHER? 278 00:15:00,640 --> 00:15:04,520 ABOUT... SIX MONTHS, I GUESS. 279 00:15:04,540 --> 00:15:06,470 HOW LONG YOU BEEN TURNING TRICKS? 280 00:15:06,510 --> 00:15:08,810 A COUPLE OF MONTHS. NOT EVERY DAY, THOUGH. 281 00:15:08,850 --> 00:15:12,060 I JUST BEEN GOING OUT ONCE IN A WHILE. 282 00:15:12,080 --> 00:15:14,850 BECAUSE IT SOUNDS LIKE HE'S GOT A DRUG HABIT, 283 00:15:14,880 --> 00:15:17,280 AND THAT'S WHY HE'S GOT YOU OUT THERE. 284 00:15:17,320 --> 00:15:19,820 HE DOESN'T USE DRUGS. 285 00:15:19,860 --> 00:15:22,200 I'M NOT HERE TRYING TO BUST HIM FOR THAT, 286 00:15:22,220 --> 00:15:25,790 BUT TIFFANY WAS IN THE CAR WITH HIM WHEN SHE GOT SHOT. 287 00:15:25,830 --> 00:15:28,030 WE WANT TO CATCH THE PEOPLE WHO DID THIS. 288 00:15:28,060 --> 00:15:29,360 I DON'T KNOW ANYTHING. 289 00:15:29,400 --> 00:15:30,960 WE CAN PROTECT YOU. 290 00:15:31,000 --> 00:15:33,370 YOU'LL THINK ABOUT THIS THE REST OF YOUR LIFE. 291 00:15:33,400 --> 00:15:36,000 I'M THINKING OF HER EVERY SECOND NOW. 292 00:15:36,040 --> 00:15:38,680 DO YOU WANT TO REMEMBER YOU DIDN'T DO ANYTHING? 293 00:15:38,710 --> 00:15:40,250 I DON'T KNOW ANYTHING. 294 00:15:40,270 --> 00:15:42,570 HE NEVER TALKED TO ME ABOUT BUSINESS. 295 00:15:42,610 --> 00:15:43,740 WAS DUANE DEALING? 296 00:15:46,580 --> 00:15:49,480 LOOK‐‐ LOOK, I JUST WANT TO LOOK 297 00:15:49,520 --> 00:15:51,490 AT MY LITTLE GIRL, O. K.? 298 00:15:51,520 --> 00:15:53,750 I JUST WANT TO SEE MY BABY. 299 00:15:55,860 --> 00:15:58,100 TAKE HER OVER TO 30th STREET, JAMES. 300 00:15:58,130 --> 00:15:59,070 O.K. 301 00:16:00,860 --> 00:16:02,060 COME ON, SANDY. 302 00:16:23,820 --> 00:16:25,120 GREG. 303 00:16:25,150 --> 00:16:26,410 HEY, ANDY. 304 00:16:26,450 --> 00:16:29,380 COME HERE. I WANT TO TALK TO YOU A MINUTE. 305 00:16:29,420 --> 00:16:31,390 BOY, TH‐THAT CUBAN‐AMERICAN PLACE 306 00:16:31,420 --> 00:16:32,750 IS GETTING REALLY POPULAR. 307 00:16:32,790 --> 00:16:35,220 I WAS OVER THERE FOR LUNCH TODAY‐‐ 308 00:16:35,260 --> 00:16:36,590 HELP ME WITH SOMETHING? 309 00:16:36,630 --> 00:16:38,240 YEAH. WHAT'S UP? 310 00:16:38,260 --> 00:16:39,230 COME HERE. 311 00:16:39,260 --> 00:16:41,230 I WANT TO ASK YOU SOMETHING. 312 00:16:41,270 --> 00:16:43,610 GET IN THE CAR. WE GOT TO GO SOMEPLACE. 313 00:16:43,630 --> 00:16:45,230 THAT'S HOWIE HORNBECK'S CAR. 314 00:16:45,270 --> 00:16:46,600 YEAH, I KNOW, MEDAVOY. 315 00:16:46,640 --> 00:16:47,580 WHERE'S HOWIE? 316 00:16:47,600 --> 00:16:50,400 A COUPLE OF BLOCKS AWAY IN MY CAR. 317 00:16:50,440 --> 00:16:52,040 WE'RE GOING OVER THERE, 318 00:16:52,080 --> 00:16:54,220 THEN YOU'RE GOING TO DRIVE MY CAR BACK. 319 00:16:54,240 --> 00:16:55,910 THEN YOU'LL RIDE BACK WITH HOWIE. 320 00:16:55,950 --> 00:16:58,290 YEAH. PLEASE, JUST GET IN THE CAR. 321 00:16:58,310 --> 00:17:00,410 DID YOUR CAR GO DEAD? 322 00:17:00,450 --> 00:17:01,880 NO, MEDAVOY. HOWIE'S DEAD. 323 00:17:01,920 --> 00:17:04,630 I WANT TO MOVE HIM INTO HIS CAR, 324 00:17:04,650 --> 00:17:06,550 BUT I DON'T WANT TO DO IT 325 00:17:06,590 --> 00:17:09,150 IN FRONT OF THE STATION HOUSE. 326 00:17:09,190 --> 00:17:10,420 HOW‐HOW‐HOWIE'S DEAD? 327 00:17:10,460 --> 00:17:13,260 MEDAVOY, GET IN THE CAR! 328 00:17:29,880 --> 00:17:32,490 LET'S PUT HIM IN THE PASSENGER'S SEAT. 329 00:17:32,510 --> 00:17:35,350 WHEN WE GET OUTSIDE THE STATION, WE'LL SLIDE HIM OVER. 330 00:17:35,380 --> 00:17:37,410 HOW MANY LAWS ARE WE BREAKING? 331 00:17:37,450 --> 00:17:39,250 WHAT SHOULD I DO, MEDAVOY? 332 00:17:39,290 --> 00:17:41,590 HAVE HIM GET FOUND WITH A $40 HOOKER? 333 00:17:41,620 --> 00:17:43,190 I'LL GET THE FEET. 334 00:17:43,220 --> 00:17:45,520 I'LL TAKE THE TOP. 335 00:17:45,560 --> 00:17:46,520 ON 3. 336 00:17:46,560 --> 00:17:47,520 YEAH. 337 00:17:47,560 --> 00:17:49,090 1, 2, 3! 338 00:17:49,130 --> 00:17:50,090 GET HIM. 339 00:17:50,130 --> 00:17:51,460 I GOT HIM. 340 00:17:51,500 --> 00:17:52,400 O.K. O. K. 341 00:17:54,670 --> 00:17:56,540 [PASSES GAS] 342 00:17:56,570 --> 00:17:57,800 OH, JEEZ! 343 00:17:57,840 --> 00:18:00,810 OH, MAN, HOWIE. WHEW! 344 00:18:00,840 --> 00:18:03,970 O.K. WE GOT TO GET THE FEET IN FIRST. 345 00:18:07,650 --> 00:18:10,320 OH, MAN. HE'S GOT ME ALL TANGLED UP. 346 00:18:14,490 --> 00:18:15,730 ALL RIGHT. 347 00:18:15,750 --> 00:18:17,050 NOW SLIDE HIM OVER. 348 00:18:17,090 --> 00:18:18,360 WHY? 349 00:18:18,390 --> 00:18:20,320 SO I CAN GRAB HIS COLLAR. 350 00:18:20,360 --> 00:18:22,330 OTHERWISE, I STEP ON THE BRAKE, 351 00:18:22,360 --> 00:18:25,030 HE SMASHES HIS HEAD ON THE DASHBOARD. 352 00:18:27,060 --> 00:18:28,400 THAT'S GOOD. 353 00:18:29,600 --> 00:18:30,860 HERE'S MY KEYS. 354 00:18:33,170 --> 00:18:36,500 HEY, ANDY, SOMETHING'S NOT RIGHT. 355 00:18:36,540 --> 00:18:38,870 DID YOU BUTTON THESE BUTTONS? 356 00:18:38,910 --> 00:18:41,170 I WAS IN A HURRY. 357 00:18:48,380 --> 00:18:49,980 THERE. THAT'S BETTER. 358 00:18:50,020 --> 00:18:51,680 ALL RIGHT. CLOSE THE DOOR. 359 00:18:53,050 --> 00:18:57,020 DOES YOUR CAR HAVE ANY SPECIAL HANDLING TRAITS? 360 00:18:57,060 --> 00:18:58,260 NO. 361 00:18:58,290 --> 00:18:59,490 JIMMY, LISTEN... 362 00:18:59,530 --> 00:19:01,870 'CAUSE YOU NEED TO SEE A DOCTOR. 363 00:19:03,760 --> 00:19:05,500 'CAUSE YOU NEED TREATMENT, JIMMY. 364 00:19:05,530 --> 00:19:06,760 [SNIFF] 365 00:19:08,470 --> 00:19:10,100 WHY? 366 00:19:10,140 --> 00:19:13,710 YOU SAY THEY'RE GOING TO FIND ME IN A POOL OF BLOOD? 367 00:19:16,310 --> 00:19:19,580 OUR LIVES ARE NOT OVER. 368 00:19:19,610 --> 00:19:22,610 WE SHOULD GO ON AND FIND NEW LIVES. 369 00:19:22,650 --> 00:19:25,450 PLEASE, LET ME DO THAT. 370 00:19:25,480 --> 00:19:26,780 DO IT FOR YOURSELF. 371 00:19:28,820 --> 00:19:30,420 YOU STOP THIS. 372 00:19:30,460 --> 00:19:32,800 I'M ASKING YOU FOR THE LAST TIME. 373 00:19:32,830 --> 00:19:34,400 I'M HANGING UP. 374 00:19:34,430 --> 00:19:36,640 I'M HANGING UP, JIMMY. 375 00:19:36,660 --> 00:19:39,230 OH, GOD. PLEASE! 376 00:19:39,260 --> 00:19:40,560 LEAVE ME ALONE. 377 00:20:02,790 --> 00:20:04,960 MISS HYPERSENSITIVE. 378 00:20:04,990 --> 00:20:07,550 I THOUGHT YOU WERE ON NIGHT TOUR. 379 00:20:07,590 --> 00:20:09,290 I JUST FINISHED IN COURT. 380 00:20:09,330 --> 00:20:10,930 WELL, LEAVE ME ALONE. 381 00:20:10,960 --> 00:20:13,290 IS SOMEONE ABOUT TO GET THE CURSE? 382 00:20:13,330 --> 00:20:14,290 OH, GOTELLI. 383 00:20:14,330 --> 00:20:15,760 YOU KNOW, 384 00:20:15,800 --> 00:20:17,900 I WAS GOING TO GET BAND‐AIDS FOR THIS, 385 00:20:17,930 --> 00:20:20,830 BUT, UH, I DIDN'T HAVE THE TIME. 386 00:20:42,620 --> 00:20:43,520 SIT DOWN. 387 00:20:46,130 --> 00:20:47,500 SIT DOWN, DUANE. 388 00:20:49,130 --> 00:20:50,800 WHEN AM I GETTING RELEASED? 389 00:20:52,800 --> 00:20:54,360 I DON'T KNOW. 390 00:20:54,400 --> 00:20:57,700 LOOK, I DIDN'T SEE 'EM, I DON'T KNOW 'EM. 391 00:20:57,740 --> 00:20:59,450 WHAT CAN I DO? 392 00:20:59,470 --> 00:21:02,270 IF YOU WERE IN THE MIDDLE OF A CRIMINAL ACT, 393 00:21:02,310 --> 00:21:03,870 SAY DRUG DEALING, 394 00:21:03,910 --> 00:21:05,880 WHEN THIS CHILD GOT KILLED IN YOUR CAR, 395 00:21:05,910 --> 00:21:07,880 THAT'S LIKE PULLING THE TRIGGER. 396 00:21:07,910 --> 00:21:10,780 WHAT, IS THAT BITCH TELLING YOU I'M DEALING? 397 00:21:10,820 --> 00:21:11,890 SHE'S CRAZY. 398 00:21:11,920 --> 00:21:14,520 YOU GOT A CRACK PROBLEM. 399 00:21:14,550 --> 00:21:16,890 THAT'S A CROCK, TOO, BUT I'M HANDY. 400 00:21:16,920 --> 00:21:18,220 PIN SOMETHING ON ME. 401 00:21:19,730 --> 00:21:21,330 HERE'S THE OTHER THING. 402 00:21:21,360 --> 00:21:23,330 THESE GUYS THAT ARE AFTER YOU 403 00:21:23,360 --> 00:21:25,530 ARE NOT GOING TO LET UP 404 00:21:25,560 --> 00:21:27,900 AFTER WHAT YOU WITNESSED THIS MORNING. 405 00:21:27,930 --> 00:21:30,530 HEY, YOU'RE NOT SLICK ENOUGH FOR THIS WORK. 406 00:21:30,570 --> 00:21:32,900 I'M NOT DEALING ANYTHING, AND NOBODY'S AFTER ME. 407 00:21:32,940 --> 00:21:35,680 YOU BELIEVED EVERYTHING THAT CRAZY BITCH TOLD YOU. 408 00:21:35,710 --> 00:21:37,250 SHE LOST HER CHILD. 409 00:21:37,270 --> 00:21:39,570 I THINK YOU OWE HER A LITTLE RESPECT. 410 00:21:39,610 --> 00:21:41,240 WHERE'S MY RESPECT? 411 00:21:41,280 --> 00:21:43,840 BE A MAN, AND YOU'LL GET YOUR RESPECT. 412 00:21:43,880 --> 00:21:47,150 THE KID WAS KILLED IN YOUR CAR. YOU'RE RESPONSIBLE. 413 00:21:47,180 --> 00:21:50,320 SO TAKE RESPONSIBILITY FOR IT AND GIVE ME THESE GUYS. 414 00:21:50,350 --> 00:21:52,320 I DON'T OWE ANYBODY ANYTHING. 415 00:21:52,360 --> 00:21:55,070 NOBODY EVER GAVE ME ONE DAMN THING. 416 00:21:55,090 --> 00:21:57,660 SO YOU GO ON, BUCK FOR YOUR PROMOTION. 417 00:21:57,690 --> 00:22:01,090 I'VE BEEN STEPPED ON BY BADDER GUYS THAN YOU'LL EVER SEE. 418 00:22:01,130 --> 00:22:02,830 I DOUBT THAT, DUANE. 419 00:22:02,870 --> 00:22:06,410 NO? I BEEN SCREWED BY EXPERTS SINCE I WAS A KID. 420 00:22:06,430 --> 00:22:08,770 YOU WANT A VICTIM OF CHILD ABUSE? 421 00:22:08,800 --> 00:22:10,400 YOU'RE LOOKING AT ONE. 422 00:22:10,440 --> 00:22:14,710 WHAT DO YOU KNOW ABOUT WHAT I HAD TO GO THROUGH? 423 00:22:14,740 --> 00:22:16,580 SANDY IS OUT ON THE STREET‐‐ 424 00:22:16,610 --> 00:22:18,940 SHE WAS HUSTLING WHEN I MET HER. 425 00:22:18,980 --> 00:22:20,550 TURNING TRICKS, HOOKED ON DOPE. 426 00:22:20,580 --> 00:22:22,950 HER CHILD'S BEEN KILLED. THAT'S YOUR FAULT. 427 00:22:22,980 --> 00:22:24,580 MAN, YOU'RE REALLY SIMPLE. 428 00:22:24,620 --> 00:22:26,950 SHE'D BE DEAD IF IT WASN'T FOR ME. 429 00:22:26,990 --> 00:22:29,750 I'M NOT ANY KIND OF DAMN PIMP. 430 00:22:29,790 --> 00:22:32,090 I TRIED TO TAKE HER OUT OF THE LIFE. 431 00:22:32,130 --> 00:22:33,800 SHE SNEAKS OFF. 432 00:22:33,830 --> 00:22:36,770 I TRIED TO BE A FATHER TO THAT KID, 433 00:22:36,800 --> 00:22:38,770 BUT I CAN'T CONTROL EVERYTHING. 434 00:22:38,800 --> 00:22:40,400 YOU'RE A LIAR, DUANE. 435 00:22:40,430 --> 00:22:41,700 I DON'T CARE WHAT YOU THINK. 436 00:22:41,730 --> 00:22:43,970 I CAN LOOK MYSELF IN THE MIRROR ANYTIME. 437 00:22:44,000 --> 00:22:45,600 WHAT DO YOU SEE? 438 00:22:45,640 --> 00:22:47,440 I SEE A GOOD GUY. 439 00:22:51,180 --> 00:22:53,120 O.K. THIS IS WHAT WE GOT. 440 00:22:53,150 --> 00:22:55,050 YOU'RE NOT GETTING OUT OF HERE. 441 00:22:55,080 --> 00:22:56,810 I'M NOT BUCKING FOR ANY PROMOTION 442 00:22:56,850 --> 00:22:59,220 'CAUSE I'M ABOUT STRUNG UP ON THIS JOB. 443 00:22:59,250 --> 00:23:01,620 SO IF I HAVE TO LOCK THE DOORS 444 00:23:01,650 --> 00:23:04,620 AND PULL THE SHADES DOWN IN HERE 445 00:23:04,660 --> 00:23:07,500 TO GET WHAT I WANT FROM YOU, I WILL. 446 00:23:07,530 --> 00:23:08,930 I WANT THESE GUYS. 447 00:23:08,960 --> 00:23:10,490 GOT IT? 448 00:23:50,330 --> 00:23:53,370 POOR LITTLE BABY, HUH? 449 00:23:54,470 --> 00:23:56,000 THERE, THERE. 450 00:23:56,040 --> 00:23:58,210 THERE, HUH? 451 00:24:27,730 --> 00:24:29,570 SANDY, 452 00:24:29,600 --> 00:24:30,730 IN YOUR DAUGHTER'S MEMORY, 453 00:24:30,770 --> 00:24:32,770 I WANT YOU TO COOPERATE WITH US. 454 00:24:37,510 --> 00:24:39,670 SOME DEALERS LET DUANE 455 00:24:39,710 --> 00:24:43,310 HAVE CREDIT ON A QUARTER OUNCE 456 00:24:43,350 --> 00:24:46,320 'CAUSE DUANE HAD A BUYER. 457 00:24:46,350 --> 00:24:48,080 WHEN THE GUY DIDN'T SHOW, 458 00:24:48,120 --> 00:24:51,520 WE DID A LOT OF IT. 459 00:24:51,560 --> 00:24:54,600 DUANE TRIED TO TALK HIS WAY OUT OF IT. 460 00:24:57,130 --> 00:25:00,090 HE TOLD ME THEY WERE REAL PISSED AT HIM 461 00:25:00,130 --> 00:25:02,730 FOR NOT COMING UP WITH MONEY. 462 00:25:05,440 --> 00:25:07,080 IT COULD HAVE BEEN THEM. 463 00:25:07,100 --> 00:25:08,640 DO YOU KNOW THEIR NAMES? 464 00:25:11,310 --> 00:25:13,750 TITO WAS ONE. 465 00:25:15,140 --> 00:25:18,040 AND I DON'T KNOW THEIR LAST NAMES. 466 00:25:19,580 --> 00:25:22,110 DUANE WOULD HAVE TO TELL YOU. 467 00:25:22,150 --> 00:25:24,280 DO YOU KNOW WHAT THEY LOOK LIKE? 468 00:25:24,320 --> 00:25:25,920 WHERE THEY DEAL OUT OF? 469 00:25:25,960 --> 00:25:27,730 YOU EVER SEEN THEM? 470 00:25:27,760 --> 00:25:28,830 NO. 471 00:25:31,890 --> 00:25:33,560 I DON'T THINK SO. 472 00:25:39,500 --> 00:25:42,400 O.K. O. K. WE'LL GET IT OFF OF DUANE. 473 00:25:44,070 --> 00:25:45,600 ALL RIGHT? 474 00:25:53,810 --> 00:25:56,450 SARGE, HOWIE HORNBECK'S DEAD. 475 00:25:56,480 --> 00:25:57,810 WHERE IS HE? WHAT HAPPENED? 476 00:25:57,850 --> 00:26:00,280 IN THE PARKING LOT IN HIS CAR. 477 00:26:00,320 --> 00:26:02,150 WELL, LET ME CALL E. M. S. 478 00:26:02,190 --> 00:26:04,590 HE MUST HAVE BEEN OUT THERE ALL DAY. 479 00:26:04,620 --> 00:26:06,990 HE MUST HAVE HAD A HEART ATTACK. 480 00:26:07,030 --> 00:26:09,000 YEAH. THIS IS THE 15th PRECINCT. 481 00:26:09,030 --> 00:26:11,390 WE NEED AN AMBULANCE TO PRONOUNCE A D. O. A. 482 00:26:11,430 --> 00:26:13,000 WHAT'S UP? 483 00:26:13,030 --> 00:26:15,230 HOWIE HORNBECK DIED. 484 00:26:15,270 --> 00:26:16,640 HOWIE HORNBECK? 485 00:26:16,670 --> 00:26:17,970 HOWIE HORNBECK. 486 00:26:27,550 --> 00:26:29,350 HOW CAN I HELP MYSELF? 487 00:26:31,780 --> 00:26:33,280 DONE WITH THIS GUY? 488 00:26:33,320 --> 00:26:34,490 YEAH. 489 00:26:34,520 --> 00:26:36,120 SEE YOU, TAHIR. 490 00:26:36,150 --> 00:26:37,480 SEE YOU, DETECTIVE. 491 00:26:37,520 --> 00:26:39,520 LET ME ASK YOU A QUESTION. 492 00:26:39,560 --> 00:26:41,930 YOU'RE USING HIM TO MAKE A CASE 493 00:26:41,960 --> 00:26:43,290 AGAINST THE WRONG COP, CORRECT? 494 00:26:43,330 --> 00:26:44,940 IS THAT THE QUESTION? 495 00:26:44,960 --> 00:26:46,930 NO. IF YOU'RE DEALING WITH HIM 496 00:26:46,960 --> 00:26:49,130 ON HUDSON STREET ALL THE TIME, 497 00:26:49,170 --> 00:26:51,510 WHY REINTERVIEW ON MY COLLAR UP HERE? 498 00:26:51,530 --> 00:26:52,870 IT'S CALLED OBEYING ORDERS. 499 00:26:52,900 --> 00:26:54,870 YOU OUGHT TO TRY IT SOMETIME. 500 00:26:54,900 --> 00:26:56,870 YOUR ORDERS ARE TO HUMILIATE ME 501 00:26:56,910 --> 00:26:58,280 IN MY OWN HOUSE? 502 00:26:58,310 --> 00:26:59,180 I GOT TO GO. 503 00:26:59,210 --> 00:27:01,880 I WANT AN ANSWER FROM YOU RIGHT NOW. 504 00:27:01,910 --> 00:27:03,680 GO AHEAD, DETECTIVE. 505 00:27:03,710 --> 00:27:05,210 MAKE ANOTHER MISTAKE. 506 00:27:07,150 --> 00:27:09,280 I WAS PARKED RIGHT NEXT TO HIM. 507 00:27:09,320 --> 00:27:11,650 I MUST HAVE WALKED RIGHT PAST HIM. 508 00:27:11,690 --> 00:27:14,060 I'M TAKING A MEMBERSHIP AT A GYM. 509 00:27:14,090 --> 00:27:15,390 YOU HEAR ABOUT HOWIE HORNBECK? 510 00:27:15,430 --> 00:27:17,030 THE NIGHT TOUR GUY? WHAT HAPPENED? 511 00:27:17,060 --> 00:27:18,490 I FOUND HIM DEAD. 512 00:27:18,530 --> 00:27:19,460 YOU'RE KIDDING. 513 00:27:19,500 --> 00:27:20,740 A HEART ATTACK. 514 00:27:20,760 --> 00:27:22,160 SIT AT MY DESK. 515 00:27:22,200 --> 00:27:25,500 I DON'T THINK I'LL BE ABLE TO RECOGNIZE ANY PICTURES. 516 00:27:25,540 --> 00:27:28,010 GO AHEAD. WE'LL SEE HOW YOU DO. 517 00:27:28,040 --> 00:27:29,410 HOWIE HORNBECK DIED. 518 00:27:29,440 --> 00:27:31,070 HOW YOU DOING WITH HER? 519 00:27:31,110 --> 00:27:33,080 SHE GAVE UP THE BOYFRIEND'S DEALING. 520 00:27:33,110 --> 00:27:35,510 HE HAD TWO GUYS MAD AT HIM. 521 00:27:35,540 --> 00:27:39,180 ALL SHE HAD WAS THE FIRST NAME ON ONE OF THEM, 522 00:27:39,210 --> 00:27:41,310 BUT I'LL RUN SOME PHOTOS ANYWAY. 523 00:27:41,350 --> 00:27:43,480 WHERE DO WE STAND ON THE BOYFRIEND? 524 00:27:43,520 --> 00:27:45,050 HE SAID HE DIDN'T SEE ANYTHING. 525 00:27:45,090 --> 00:27:46,060 LIEUTENANT. 526 00:27:48,290 --> 00:27:49,490 YOU GOT A MINUTE? 527 00:27:49,520 --> 00:27:51,090 YEAH. 528 00:27:52,590 --> 00:27:53,530 STAY ON HIM. 529 00:27:56,860 --> 00:27:59,000 I GOT TO TALK TO THE M.E. 530 00:27:59,030 --> 00:28:00,130 O.K. 531 00:28:02,140 --> 00:28:04,280 WHAT WAS THAT NAME SHE GAVE UP? 532 00:28:04,310 --> 00:28:05,280 SANDY? 533 00:28:05,310 --> 00:28:06,710 TITO. 534 00:28:06,740 --> 00:28:08,170 TITO. STAY ON HER. 535 00:28:08,210 --> 00:28:09,140 O.K. 536 00:28:14,250 --> 00:28:16,260 I GOT TO CONTACT HORNBECK'S FAMILY. 537 00:28:16,280 --> 00:28:18,380 THIS WON'T TAKE LONG. 538 00:28:20,290 --> 00:28:21,890 KELLY'S TRANSFERRED TO THE BOROUGH. 539 00:28:21,920 --> 00:28:23,250 HE'LL WORK DISPATCH. 540 00:28:23,290 --> 00:28:25,590 I.A.B. GOES THROUGH HIS LAUNDRY FOR A MONTH. 541 00:28:25,630 --> 00:28:26,770 I.A.B.'s A SEPARATE MATTER. 542 00:28:26,790 --> 00:28:27,960 THEY FIND ZILCH. 543 00:28:27,990 --> 00:28:29,360 I.A.B.'s INQUIRY IS SEPARATE. 544 00:28:29,390 --> 00:28:31,190 IT'S MY UNDERSTANDING IT'S NOT COMPLETE. 545 00:28:31,230 --> 00:28:32,760 YOU STILL HANG HIM OUT‐‐ 546 00:28:32,800 --> 00:28:34,410 THE MAN WAS BORDERLINE INSUBORDINATE. 547 00:28:34,430 --> 00:28:36,600 HE STINKS FROM THAT TRIAL. HE'S REASSIGNED. 548 00:28:36,640 --> 00:28:38,240 NO, THIS STINKS, CAPTAIN. 549 00:28:39,500 --> 00:28:42,240 LET'S YOU AND ME WORK A SIGNAL OUT. 550 00:28:42,270 --> 00:28:45,240 IF I'M HERE FOR YOUR OPINION ON SOMETHING, 551 00:28:45,280 --> 00:28:47,250 I'LL COME IN WEARING A ROSE. 552 00:28:47,280 --> 00:28:49,780 LET THE MAN KNOW. 553 00:28:59,690 --> 00:29:02,760 HERE COME THE MARINES. 554 00:29:02,790 --> 00:29:05,120 STORY OF YOUR LIFE, DUANE. 555 00:29:05,160 --> 00:29:06,130 WHAT IS? 556 00:29:06,160 --> 00:29:08,460 IN TOO LONG, OUT TOO SOON. 557 00:29:08,500 --> 00:29:11,430 I'LL BE SMART ENOUGH WHEN I FILE FOR BRUTALITY. 558 00:29:11,470 --> 00:29:12,780 FOR WHAT? 559 00:29:12,800 --> 00:29:14,570 NOBODY TOUCHED YOU. 560 00:29:14,600 --> 00:29:16,100 YOU COULD HAVE WALKED OUT 561 00:29:16,140 --> 00:29:18,340 WITH SOME CASH IN YOUR POCKET. 562 00:29:18,370 --> 00:29:19,610 CASH, HUH? 563 00:29:21,210 --> 00:29:22,780 HOW WOULD THAT HAVE WORKED? 564 00:29:22,810 --> 00:29:25,140 THAT'S WHAT I'VE BEEN TRYING TO TELL YOU. 565 00:29:25,180 --> 00:29:26,950 A 2‐YEAR‐OLD'S BEEN SHOT. 566 00:29:26,980 --> 00:29:28,580 WE GOT TO CLEAR THAT. 567 00:29:28,620 --> 00:29:31,790 WE COULD HAVE GONE INTO OUR POCKETS FOR YOU. 568 00:29:31,820 --> 00:29:33,150 BUT YOU MADE ME WAIT, 569 00:29:33,190 --> 00:29:35,350 SO I DON'T NEED YOU ANYMORE. 570 00:29:35,390 --> 00:29:36,520 I GOT ANOTHER WITNESS. 571 00:29:36,560 --> 00:29:38,430 OH, YEAH? 572 00:29:38,460 --> 00:29:40,020 YEAH. 573 00:29:40,060 --> 00:29:42,260 I DON'T THINK YOU HAVE ANYTHING, 574 00:29:42,300 --> 00:29:44,440 OR YOU WOULDN'T BE TALKING TO ME. 575 00:29:44,460 --> 00:29:46,130 I'VE GOT TITO. 576 00:29:50,670 --> 00:29:53,040 TITO ROLLED ON HIS BUDDY, 577 00:29:53,070 --> 00:29:57,270 AND HE GOT THE DEAL THAT YOU COULD HAVE HAD. 578 00:29:57,310 --> 00:29:59,840 SO I GOT SOMETHING. 579 00:30:07,050 --> 00:30:09,180 IS THERE ANY MONEY LEFT? 580 00:30:17,100 --> 00:30:19,670 I'M GONNA NEED FULL COOPERATION. 581 00:30:19,700 --> 00:30:23,710 I'M GONNA NEED NAMES, PLACES OF BUSINESS... 582 00:30:23,740 --> 00:30:25,910 THEN I GOT TO PROVE TO THE D. A. 583 00:30:25,940 --> 00:30:27,410 YOU'RE NOT AN ASSHOLE. 584 00:30:45,590 --> 00:30:47,090 YOU LOOKING FOR ME? 585 00:30:48,590 --> 00:30:49,560 DETECTIVE SIPOWICZ? 586 00:30:49,590 --> 00:30:50,660 YEAH. 587 00:30:50,690 --> 00:30:52,690 I UNDERSTAND YOU DISCOVERED THE BODY. 588 00:30:52,730 --> 00:30:54,230 WHAT WAS IT, HEART ATTACK? 589 00:30:54,260 --> 00:30:57,230 I THINK SO. WE'LL VERIFY IN AUTOPSY. 590 00:30:57,270 --> 00:30:59,840 BUT I'M CONCERNED ABOUT THE BODY POSITION. 591 00:30:59,870 --> 00:31:01,430 WHAT DO YOU MEAN? 592 00:31:01,470 --> 00:31:04,100 LIVIDITY'S ALL WRONG FOR THE POSITION HE'S IN. 593 00:31:04,140 --> 00:31:06,340 WELL, I, UH, I MOVED HIM A LITTLE. 594 00:31:06,380 --> 00:31:07,780 WHEN I FOUND HIM, 595 00:31:07,810 --> 00:31:09,910 HE WAS SAGGING ON THE STEERING WHEEL. 596 00:31:09,940 --> 00:31:11,410 I PULLED HIM BACK. 597 00:31:11,450 --> 00:31:13,750 WHEN THIS MAN DIED, HE WASN'T SITTING UP. 598 00:31:13,780 --> 00:31:16,380 THE BLOOD SETTLED IN THE FRONT OF HIM. 599 00:31:16,420 --> 00:31:19,060 IF HE'D BEEN SITTING UP, IT WOULD HAVE SETTLED 600 00:31:19,090 --> 00:31:20,460 IN THE LOWER PART. 601 00:31:20,490 --> 00:31:22,620 ANYWAY, IT WAS A HEART ATTACK, RIGHT? 602 00:31:22,660 --> 00:31:23,930 ALSO, THE FRONT OF HIS SHIRT'S 603 00:31:23,960 --> 00:31:25,100 TUCKED IN HIS UNDERSHORTS. 604 00:31:25,120 --> 00:31:27,160 WHAT ARE YOU GETTING AT? 605 00:31:27,190 --> 00:31:28,890 SOMEBODY PUT HORNBECK'S CLOTHES ON HIM 606 00:31:28,930 --> 00:31:30,500 AND MOVED HIM. 607 00:31:30,530 --> 00:31:32,530 NO. NO. I TOTALLY DISAGREE WITH THAT. 608 00:31:32,560 --> 00:31:34,360 YOU'RE SPEAKING AS A DETECTIVE? 609 00:31:34,400 --> 00:31:36,330 YEAH. AS SOMEONE HE WORKED WITH. 610 00:31:36,370 --> 00:31:37,940 I MET HIS WIFE. 611 00:31:37,970 --> 00:31:39,930 THERE WASN'T A CRIME COMMITTED HERE. 612 00:31:39,970 --> 00:31:41,370 THIS WAS NATURAL CAUSES. 613 00:31:41,410 --> 00:31:43,280 I'M NOT SAYING IT WASN'T NATURAL CAUSES. 614 00:31:44,640 --> 00:31:46,240 NOW WHAT COULD HAVE HAPPENED 615 00:31:46,280 --> 00:31:48,450 IS MAYBE SOMEBODY PULLED HIS PANTS UP 616 00:31:48,480 --> 00:31:50,120 OR MOVED HIM FROM SOMEPLACE 617 00:31:50,150 --> 00:31:51,550 TO SOMEWHERES ELSE. 618 00:31:51,580 --> 00:31:53,880 THAT DOESN'T HAVE TO BE PART OF THE REPORT. 619 00:31:53,920 --> 00:31:55,560 WHY NOT? 620 00:31:55,580 --> 00:31:57,750 LOOK... 621 00:31:57,790 --> 00:31:59,190 YOU HEARD THE EXPRESSION 622 00:31:59,220 --> 00:32:01,420 "I WOULDN'T WANT TO GET CAUGHT DEAD 623 00:32:01,460 --> 00:32:02,800 IN A CERTAIN PLACE"? 624 00:32:02,830 --> 00:32:03,800 SURE. 625 00:32:03,830 --> 00:32:05,800 THIS COULD HAVE BEEN THAT SITUATION. 626 00:32:05,830 --> 00:32:08,230 HE COULD HAVE BEEN IN A PLACE 627 00:32:08,260 --> 00:32:10,300 HE WOULDN'T GET CAUGHT DEAD IN. 628 00:32:10,330 --> 00:32:12,860 AND THEN SOMEONE MOVED HIM AFTER HE EXPIRED 629 00:32:12,900 --> 00:32:14,230 TO SAVE HIM EMBARRASSMENT. 630 00:32:14,270 --> 00:32:15,970 I WOULD THINK SO. 631 00:32:16,000 --> 00:32:17,140 YOU'RE CONFIDENT THAT HAPPENED? 632 00:32:17,170 --> 00:32:18,400 100%. 633 00:32:18,440 --> 00:32:20,070 BECAUSE THE LIVIDITY'S ALL WRONG. 634 00:32:21,310 --> 00:32:22,710 I'M TELLING YOU, DOC, 635 00:32:22,740 --> 00:32:24,740 YOU CAN SIGN OFF ON THIS ONE. 636 00:32:30,020 --> 00:32:32,330 O.K. 637 00:32:32,350 --> 00:32:34,820 HE DIED IN THE CAR. 638 00:32:36,290 --> 00:32:37,590 O.K. 639 00:32:46,100 --> 00:32:48,800 YOU GONNA SHOW THAT TO THE D. A.? 640 00:32:48,830 --> 00:32:50,300 YEAH. 641 00:32:51,600 --> 00:32:54,170 FIRST I WANT YOU TO COME WITH US 642 00:32:54,210 --> 00:32:55,580 AND PICK THESE GUYS OUT. 643 00:32:55,610 --> 00:32:56,780 IN A LINEUP? 644 00:32:56,810 --> 00:32:58,440 NO. IN THE STREET. 645 00:33:02,210 --> 00:33:04,350 YOU NEVER HAD HIM. 646 00:33:04,380 --> 00:33:07,610 YOU SON‐OF‐A‐BITCHING LIAR. 647 00:33:07,640 --> 00:33:10,070 I'M GOING TO GET YOU THE 2,000, DUANE. 648 00:33:10,110 --> 00:33:12,510 MAYBE IF THESE GUYS HAVE FEDERAL BEEFS, 649 00:33:12,550 --> 00:33:13,620 I CAN RELOCATE YOU. 650 00:33:15,480 --> 00:33:16,980 STAND UP. 651 00:33:19,120 --> 00:33:21,950 STAND UP, DUANE, OR I'M GOING TO BREAK YOUR NECK. 652 00:33:26,960 --> 00:33:28,620 LET'S GO. 653 00:33:29,960 --> 00:33:30,930 RECOGNIZE ANYBODY? 654 00:33:33,470 --> 00:33:35,310 STAND RIGHT THERE. 655 00:33:35,330 --> 00:33:37,700 ANDY, HE'S HELPING US PICK OUT THE SHOOTERS. 656 00:33:37,740 --> 00:33:39,280 YOUR CAR. MINE'S AIRING OUT. 657 00:33:39,300 --> 00:33:41,040 O.K. 658 00:33:41,070 --> 00:33:42,270 LIEUTENANT, HE'S GOING TO COOPERATE, 659 00:33:42,310 --> 00:33:44,450 SHOW US WHERE TO GRAB THESE GUYS. 660 00:33:44,480 --> 00:33:45,480 GOOD. 661 00:33:45,510 --> 00:33:46,810 HOW'S HAVERILL? 662 00:33:48,080 --> 00:33:49,280 O.K. 663 00:33:49,310 --> 00:33:51,380 I'M DOING THIS FOR YOU. 664 00:33:51,420 --> 00:33:52,790 SHUT UP, DUANE. 665 00:33:52,820 --> 00:33:53,790 LET'S GO. 666 00:34:02,360 --> 00:34:04,960 THAT'S ONE OF THEM. THAT'S TITO. 667 00:34:04,990 --> 00:34:06,390 WHICH GUY? 668 00:34:06,430 --> 00:34:08,460 THE PUERTO RICAN. HE WAS DRIVING. 669 00:34:08,500 --> 00:34:09,730 RAY'S JUST INSIDE THE DOOR. 670 00:34:09,770 --> 00:34:11,340 THE OTHER GUY. 671 00:34:11,370 --> 00:34:12,980 HE'S NOBODY. 672 00:34:13,000 --> 00:34:14,730 TAKE HIM DOWN. BIKER JACKET. 673 00:34:14,770 --> 00:34:16,600 GOT IT. 674 00:34:19,440 --> 00:34:20,640 I'M ON IT. 675 00:34:32,690 --> 00:34:35,000 DON'T MAKE A SOUND. KEEP YOUR MOUTH SHUT. 676 00:34:38,460 --> 00:34:39,920 CALL RAY. 677 00:34:39,960 --> 00:34:41,330 I DON'T KNOW RAY. 678 00:34:41,360 --> 00:34:43,760 CALL FOR RAY, OR I'LL BLOW YOUR BRAINS OUT. 679 00:34:43,800 --> 00:34:44,910 YO, RAY! 680 00:34:48,030 --> 00:34:50,030 GET YOUR HANDS UP IN THE AIR! 681 00:34:50,070 --> 00:34:51,200 KEEP YOUR HANDS IN THE AIR! 682 00:34:53,710 --> 00:34:56,250 YOU'RE TAKING A RIDE DOWNTOWN, RIGHT? LET'S GO. 683 00:35:14,210 --> 00:35:16,370 I'M PUTTING IN A 28. 684 00:35:16,410 --> 00:35:18,040 I CAN'T WORK MY SHIFT TONIGHT. 685 00:35:18,080 --> 00:35:19,350 YOU PROBABLY DON'T KNOW WHY. 686 00:35:19,380 --> 00:35:20,780 I PROBABLY DON'T NEED TO. 687 00:35:20,810 --> 00:35:22,940 HOWIE HORNBECK WAS A FRIEND OF MINE. 688 00:35:22,980 --> 00:35:24,610 HE WAS A GREAT GUY. 689 00:35:24,650 --> 00:35:26,730 I HAD MORE LAUGHS WITH HOWIE 690 00:35:26,760 --> 00:35:29,360 THAN ANYBODY I EVER WORKED WITH. 691 00:35:29,400 --> 00:35:32,170 THAT MAN KNEW HOW TO HAVE A GOOD TIME. 692 00:35:33,940 --> 00:35:36,410 AND NOW IT'S OVER. 693 00:35:37,840 --> 00:35:39,010 I'M SORRY. 694 00:35:39,040 --> 00:35:40,040 OH, YOU'RE SORRY. 695 00:35:42,250 --> 00:35:44,020 YOU KNOW THAT CUP YOU BROKE? 696 00:35:46,920 --> 00:35:49,530 HOWIE GAVE ME THAT CUP. 697 00:35:52,620 --> 00:35:55,090 THAT WAS MY TIT CUP! 698 00:36:02,430 --> 00:36:04,230 DETECTIVE LESNIAK, 699 00:36:04,270 --> 00:36:06,610 DETECTIVE ABRUZZO ON 2. 700 00:36:06,640 --> 00:36:07,910 TELL HIM I'M NOT HERE. 701 00:36:18,580 --> 00:36:19,640 [KNOCK ON DOOR] 702 00:36:21,550 --> 00:36:23,080 HI. IT'S ME, SANDY. 703 00:36:23,120 --> 00:36:25,260 DO I HAVE TO LOOK AT PICTURES? 704 00:36:25,290 --> 00:36:26,630 NO. 705 00:36:26,650 --> 00:36:29,720 WE PICKED UP THE GUYS DUANE TOLD US ABOUT. 706 00:36:29,760 --> 00:36:31,730 IF HE I. D. s THEM IN LINEUP, 707 00:36:31,760 --> 00:36:33,090 THERE'LL PROBABLY BE AN ARREST. 708 00:36:33,130 --> 00:36:34,870 DO I HAVE TO LEAVE NOW? 709 00:36:34,890 --> 00:36:36,630 NO. NOT RIGHT AWAY. 710 00:36:36,660 --> 00:36:37,930 HOW'S YOUR HEADACHE? 711 00:36:39,830 --> 00:36:42,100 I DON'T KNOW WHERE TO GO. 712 00:36:44,000 --> 00:36:46,970 EVERYTHING'S JUST SO WEIRD. I JUST‐‐ 713 00:36:47,010 --> 00:36:50,150 I DIDN'T KNOW IT ALL GETS LIKE THIS. 714 00:36:50,180 --> 00:36:52,650 YOU GOT TO HOLD YOURSELF TOGETHER NOW, SANDY. 715 00:36:52,680 --> 00:36:55,940 I JUST WANT TO BE GONE FROM ALL THIS. 716 00:36:57,520 --> 00:36:59,890 WANT TO BE WITH YOUR SISTER IN FLORIDA? 717 00:36:59,920 --> 00:37:02,190 I DON'T HAVE ANY MONEY. 718 00:37:04,690 --> 00:37:08,060 IF I COULD GET IT FOR YOU, WOULD YOU GO? 719 00:37:08,090 --> 00:37:10,120 YEAH. I'D GET OUT SO FAST. 720 00:37:10,160 --> 00:37:13,160 I'M GONNA SEE WHAT I CAN DO. 721 00:37:13,200 --> 00:37:16,510 TIFFANY‐‐ YOU SAID THAT THE CHARITY WOULD BURY TIFFANY. 722 00:37:16,530 --> 00:37:18,800 RIGHT. THE CHURCH'LL BURY TIFFANY. 723 00:37:21,040 --> 00:37:23,010 IF YOU GOT ME THAT MONEY, 724 00:37:23,040 --> 00:37:25,440 MAYBE I SHOULD USE THAT FOR HER. 725 00:37:25,470 --> 00:37:27,270 THAT WOULD BE YOUR CHOICE. 726 00:37:27,310 --> 00:37:30,110 BUT I THINK YOU SHOULD GO TO YOUR SISTER'S. 727 00:37:32,820 --> 00:37:35,290 I'M GONNA LIE BACK DOWN. 728 00:37:36,720 --> 00:37:37,880 O.K. 729 00:37:41,190 --> 00:37:43,960 I'LL LET YOU KNOW WHAT HAPPENS. 730 00:37:43,990 --> 00:37:44,890 O.K. 731 00:38:00,410 --> 00:38:02,450 THAT'S THE OTHER ONE. THAT'S TITO. 732 00:38:02,480 --> 00:38:04,290 SAY THE NUMBER. 733 00:38:04,310 --> 00:38:06,140 NUMBER 2. YOU GOT THEM BOTH. 734 00:38:06,180 --> 00:38:07,810 ALL BUT NUMBER 2 GO. 735 00:38:07,850 --> 00:38:10,150 ALL RIGHT. EVERYBODY ELSE, COME ON. 736 00:38:10,180 --> 00:38:11,450 LET'S GO. 737 00:38:11,480 --> 00:38:13,550 WHAT WILL YOU DO TO HIM? 738 00:38:13,590 --> 00:38:15,000 I'LL CHARGE HIM WITH MURDER. 739 00:38:15,020 --> 00:38:17,650 CAN'T YOU MESS HIM UP OR SOMETHING? 740 00:38:17,690 --> 00:38:19,660 CAN I TALK TO YOU, JOHN? 741 00:38:19,690 --> 00:38:20,960 SURE. 742 00:38:20,990 --> 00:38:22,290 WHEN YOU'RE DONE WITH MARTINEZ, 743 00:38:22,330 --> 00:38:23,360 I NEED YOU IN MY OFFICE. 744 00:38:24,650 --> 00:38:26,050 IS MY MONEY COMING? 745 00:38:26,070 --> 00:38:27,360 IT'S ON ITS WAY. 746 00:38:32,440 --> 00:38:33,840 WHAT'S GOING ON? 747 00:38:33,870 --> 00:38:35,540 IT'S ABOUT THIS GUY'S MONEY. 748 00:38:35,570 --> 00:38:37,670 500 NOW, 500 AFTER THE GRAND JURY, 749 00:38:37,710 --> 00:38:39,180 1,000 AFTER THE TRIAL. 750 00:38:39,210 --> 00:38:41,340 I'D LIKE TO GET SANDY A DEUCE. 751 00:38:41,380 --> 00:38:42,950 BETWEEN HER AND THE BOYFRIEND. 752 00:38:42,980 --> 00:38:45,080 CAN'T GIVE IT TO HER, HUH? 753 00:38:45,110 --> 00:38:46,410 NO. HE MADE THE I. D., 754 00:38:46,450 --> 00:38:48,710 SO THEY'LL WANT HIM IN COURT. 755 00:38:48,750 --> 00:38:51,280 WELL, SHE DID GIVE UP THAT TITO'S NAME. 756 00:38:51,320 --> 00:38:52,880 WHAT'S GOING ON, JAMES? 757 00:38:52,920 --> 00:38:55,520 SHE'S TALKING ABOUT GETTING AWAY FROM THIS GUY, 758 00:38:55,560 --> 00:38:57,530 GOING TO HER SISTER'S. 759 00:38:57,560 --> 00:38:59,860 MAYBE SHE'D USE THE MONEY TO COP, 760 00:38:59,890 --> 00:39:02,530 BUT I'D LIKE TO MAKE IT BUS FARE. 761 00:39:02,560 --> 00:39:03,800 GET IT FROM HIM. 762 00:39:03,830 --> 00:39:06,300 I HAVE TO GET DUANE TO GIVE IT UP? 763 00:39:06,330 --> 00:39:07,370 O.K. 764 00:39:07,400 --> 00:39:08,700 ALL RIGHT. THANKS. 765 00:39:08,740 --> 00:39:09,740 O.K. 766 00:39:26,820 --> 00:39:29,650 YEAH. COME ON IN. 767 00:39:29,690 --> 00:39:31,490 UH... CLOSE THE DOOR. 768 00:39:44,940 --> 00:39:47,650 YOU'RE TRANSFERRED TO BOROUGH DISPATCH DUTY, JOHN. 769 00:39:47,670 --> 00:39:49,170 STEADY DAY TOUR. 770 00:39:49,210 --> 00:39:50,950 EFFECTIVE TOMORROW. 771 00:39:54,480 --> 00:39:57,680 I WISH I HAD A WAY TO REACH OUT, 772 00:39:57,720 --> 00:40:00,060 BUT I DON'T HAVE THE JUICE TO HELP YOU. 773 00:40:02,320 --> 00:40:03,920 THINK IT'S JUST HAVERILL? 774 00:40:03,950 --> 00:40:06,690 NO. IT'S GOT TO GO PAST HIM. 775 00:40:06,720 --> 00:40:08,590 HE DOESN'T HAVE THE GUTS 776 00:40:08,630 --> 00:40:10,330 TO DO IT ON HIS OWN. 777 00:40:15,530 --> 00:40:18,460 TAKE A MINUTE. I'M GONNA GET SOME COFFEE. 778 00:40:18,500 --> 00:40:20,200 NO. IT'S O. K. 779 00:40:24,670 --> 00:40:27,170 YOU'VE BEEN A GREAT COP FOR ME. 780 00:40:32,980 --> 00:40:33,950 THANKS. 781 00:40:33,980 --> 00:40:35,510 I'M SORRY. 782 00:40:57,400 --> 00:40:58,700 WHAT'S GOING ON? 783 00:41:02,910 --> 00:41:03,940 TRANSFERRED. 784 00:41:07,510 --> 00:41:09,410 RADIO DISPATCH DOWN AT THE BOROUGH. 785 00:41:12,550 --> 00:41:14,680 SAME SHIFT HE PUTS A KNIFE IN YOUR BACK, 786 00:41:14,720 --> 00:41:17,320 HE'S UP HERE ON A CASE YOU CLEARED. 787 00:41:17,360 --> 00:41:19,070 LET ME TALK TO THIS ASSHOLE. 788 00:41:19,090 --> 00:41:20,520 ANDY‐‐ 789 00:41:20,560 --> 00:41:21,890 SIGN ALL THREE DOCUMENTS. 790 00:41:21,930 --> 00:41:23,840 O.K. 791 00:41:23,860 --> 00:41:25,930 WHAT ARE MY LIMITS ON SPENDING THIS? 792 00:41:25,960 --> 00:41:27,760 YOUR GOOD SENSE. 793 00:41:27,800 --> 00:41:29,500 I NEED TO TALK TO YOU. 794 00:41:29,530 --> 00:41:30,900 WHAT IS IT, SIPOWICZ? 795 00:41:30,940 --> 00:41:32,040 WHAT DO YOU THINK? 796 00:41:36,570 --> 00:41:38,340 KELLY'S TRANSFER'S A SETTLED MATTER. 797 00:41:38,380 --> 00:41:39,720 I THINK MAYBE YOU'RE FORGETTING 798 00:41:39,740 --> 00:41:42,340 I SAW YOU WALK FROM THE DiSICO HIT. 799 00:41:42,380 --> 00:41:44,340 YOU THINK I WAS WALKING AROUND 800 00:41:44,380 --> 00:41:47,280 WAITING FOR YOU TO DROP THAT SAFE ON MY HEAD? 801 00:41:47,320 --> 00:41:49,690 I WENT ON RECORD WITH THE APPROPRIATE PARTIES 802 00:41:49,720 --> 00:41:52,290 AS TO WHAT HAPPENED AT THAT INCIDENT. 803 00:41:52,320 --> 00:41:54,450 I'M OFF THE HOOK, SIPOWICZ. 804 00:41:54,490 --> 00:41:56,890 YOU WANT TO CALL DOWNTOWN ABOUT IT? 805 00:41:56,930 --> 00:41:58,230 WE GOT FREE PHONES. 806 00:42:00,130 --> 00:42:02,560 THOSE PEOPLE THAT TOOK YOU OFF THE HOOK, 807 00:42:02,600 --> 00:42:04,960 THOSE ARE THE PEOPLE THAT WANT KELLY? 808 00:42:05,000 --> 00:42:06,370 HE LIED AT TRIAL. 809 00:42:06,400 --> 00:42:07,530 EVERYBODY LIES AT TRIALS. 810 00:42:07,570 --> 00:42:09,100 HE EMBARRASSED THE JOB. 811 00:42:09,140 --> 00:42:10,250 HE EMBARRASSED THE JOB? 812 00:42:12,840 --> 00:42:15,610 AND PISS RUNS UPHILL, RIGHT, CAPTAIN? 813 00:42:15,640 --> 00:42:17,740 AND YOU'RE A STAND‐UP GUY. 814 00:42:23,080 --> 00:42:24,780 WHERE'S MY OTHER 200? 815 00:42:24,820 --> 00:42:26,420 SANDY GETS THAT. 816 00:42:26,450 --> 00:42:27,990 I'LL TAKE CARE OF SANDY. 817 00:42:28,020 --> 00:42:29,290 THAT $500 WAS FOR ME. 818 00:42:29,320 --> 00:42:30,920 HEY, LOWER YOUR VOICE. 819 00:42:30,960 --> 00:42:32,260 COME OVER HERE, DUANE. 820 00:42:35,530 --> 00:42:38,130 IF SANDY WANTS TO SEE YOU TOMORROW, 821 00:42:38,170 --> 00:42:40,910 SHE CAN PUT HER 200 WITH YOUR 300. 822 00:42:40,930 --> 00:42:42,270 LEAVE HER ALONE TONIGHT. 823 00:42:42,300 --> 00:42:43,930 YOU TRYING TO BREAK US UP? 824 00:42:45,200 --> 00:42:46,800 LISTEN TO ME, DUANE. 825 00:42:46,840 --> 00:42:49,240 YOU MAKE A STINK ABOUT THIS MONEY, 826 00:42:49,280 --> 00:42:51,620 AND WHEN I CHECK YOU INTO THAT MOTEL, 827 00:42:51,640 --> 00:42:53,940 I'LL LOCK THE DOOR AND KICK YOUR ASS. 828 00:42:58,720 --> 00:43:00,960 I ASKED YOU NOT TO DO THAT. 829 00:43:00,990 --> 00:43:02,430 THEY'RE SCREWING YOU. 830 00:43:02,450 --> 00:43:04,590 I KNOW THAT. THEY GET MY BADGE, 831 00:43:04,620 --> 00:43:06,020 BUT I DON'T BEG. 832 00:43:06,060 --> 00:43:07,790 WHAT SHOULD I DO? 833 00:43:07,830 --> 00:43:09,030 RIDE IT OUT. 834 00:43:09,060 --> 00:43:10,460 THEY WILL FIND SOMETHING. 835 00:43:10,500 --> 00:43:12,700 THEY CAN'T FIND THEIR HEADS UP THEIR ASSES. 836 00:43:12,730 --> 00:43:15,330 LOOK HOW HARD THEY'RE TRYING TO NAIL ME. 837 00:43:15,370 --> 00:43:17,180 THEY WILL FIND SOMETHING, 838 00:43:17,200 --> 00:43:19,500 AND I AM NOT ANSWERING PHONES UNTIL THEY DO. 839 00:43:25,680 --> 00:43:27,380 AH, JOHN‐‐ 840 00:43:34,020 --> 00:43:35,490 YOU KNOW I'M RIGHT. 841 00:43:42,660 --> 00:43:46,630 I THOUGHT I'D BE 65 WHEN I LEFT THIS JOB, 842 00:43:46,660 --> 00:43:49,530 KICKING AND SCREAMING FOR THAT AGE WAIVER. 843 00:43:58,170 --> 00:43:59,540 THANKS, BUDDY. 844 00:44:01,110 --> 00:44:02,570 BACK AT YOU. 845 00:44:06,510 --> 00:44:09,750 TELL FANCY I'LL CLEAN OUT THE LOCKER LATER, O. K.? 846 00:44:26,700 --> 00:44:28,230 HEY. HEY. 847 00:44:28,270 --> 00:44:31,180 THANKS FOR THAT ADVICE. HE GAVE THE MONEY UP. 848 00:44:31,200 --> 00:44:33,100 SHE'S GOING TO A SEPARATE MOTEL. 849 00:44:33,140 --> 00:44:36,040 GOOD. LISTEN, JAMES, I'M LEAVING THE JOB. 850 00:44:37,140 --> 00:44:38,540 WHAT DO YOU MEAN? 851 00:44:38,580 --> 00:44:40,370 THEY'RE PUTTING ME ON BOROUGH DISPATCH 852 00:44:40,400 --> 00:44:41,360 TILL THEY GET RID OF ME. 853 00:44:41,400 --> 00:44:43,600 DON'T LEAVE, MAN. DON'T QUIT, JOHN. 854 00:44:43,630 --> 00:44:45,720 LISTEN, JAMES, YOU'RE GONNA BE O. K. 855 00:44:45,750 --> 00:44:47,980 JUST KEEP DOING WHAT WE TALK ABOUT. 856 00:44:48,020 --> 00:44:49,720 O.K.? 857 00:44:49,750 --> 00:44:51,980 YEAH. 858 00:44:52,020 --> 00:44:53,990 I CAN STILL CALL YOU, THOUGH. 859 00:44:54,020 --> 00:44:55,560 YOU BETTER BELIEVE IT. 860 00:44:55,580 --> 00:44:56,380 O.K. 861 00:44:58,250 --> 00:45:01,750 ALL RIGHT. I GOT TO TAKE THIS GIRL HER MONEY NOW. 862 00:45:03,050 --> 00:45:04,450 I'LL SEE YOU. 863 00:45:04,480 --> 00:45:05,150 YEAH. 864 00:45:15,220 --> 00:45:16,390 HEY. 865 00:45:16,420 --> 00:45:20,390 UH, HOWIE HORNBECK'S WIFE'S ON LINE 2. 866 00:45:20,420 --> 00:45:21,790 WHAT WILL YOU TELL HER? 867 00:45:21,820 --> 00:45:23,320 I'LL TAKE CARE OF IT. 868 00:45:32,750 --> 00:45:34,110 GOOD NIGHT, SARGE. 869 00:45:34,150 --> 00:45:35,550 GOOD NIGHT, KELLY.